James H. Hall Papers
Scope and Contents
This small body of materials, which spans the years 1909 to 1957, documents James H. Hall's academic career as a student of music and as an instructor. It provides insight into his work as a writer, composer and musician. A series of detailed, reflective letters written home during a year's stay in Europe (1937-38) reveals the nature of his relationships with family members, friends, and colleagues.
Hall's early aspirations and his love of music are illustrated by the contents of his scrapbook. The lecture notes he conscientiously recorded in Edward Dickinson's Musical History class in 1909-1910 and the deliberative quality of his later academic writings attest to his enthusiasm and dedication as a student. His assembly talks and other addresses, his published commentary, and the clippings and keepsakes he chose to compile all offer evidence of his interests as a musical scholar, of the ardor with which he approached his responsibilities as an educator, and of his involvement in the Oberlin musical community.
The collection has been divided into four series: I. Correspondence II. Talks III. Writings IV. Scrapbook and Memorabilia.
Dates
- Creation: 1907-1957
- Other: Date acquired: 08/28/1968
Conditions Governing Access
Unrestricted.
Biographical or Historical Information
James Husst Hall was born on February 3, 1890, in Cohoes, New York, the son of James Marvin Hall (1853-1917) and Mary A. "Mollie" Husst (1852-1912). He had two sisters: Ethel Minera (1884-1952) and Grace Elizabeth (1888-1889). While studying, first at Oberlin College and then at the Conservatory, he worked as an assistant in the Theory Department (1913-14; 1914-15). He earned the AB degree from the college in 1914 and a B Mus from the conservatory in 1915.
James Hall began his teaching career at the College of Wooster where he was an instructor in piano for two years (1915-17) and an assistant professor for four (1917-1921). He spent the final years of World War I as an ensign in the United States Navy (1918-19). In 1922, after receiving the AM degree from the Oberlin Conservatory, he joined its faculty and taught there until his retirement in 1955. In 1917, he was named Professor of the History and Criticism of Music, succeeding Edward Dickinson (1853-1946) to the earliest established chair in that discipline in the United States. As a teacher, Professor Hall was dedicated and exacting, holding students to the highest standards, the same that he maintained for himself. He possessed a fine sense of justice, yet he was unfailingly gentle and friendly. His course in music appreciation, one often considered “a refuge for dilettantes,” was rigorous and demanding. Students who persevered achieved a real sense of accomplishment.
Professor Hall extended both his studies and his musical activities beyond the Oberlin campus. In 1926-27, he studied at the Schola Cantorum in Paris, France; in 1917, at Godowsky in Chicago, Illinois; and later at the University of Edinburgh, Scotland. He was organist and choir director at several Cleveland, Ohio churches and for many years at First Congregational Church in Oberlin, Ohio, where he was a member. For eighteen years, he served as music director at Camp Pemigewassett, a summer camp for boys in Wentworth, New Hampshire. A contributor to professional journals, he was also a critic for the Oberlin Artists Series, and a member of the American Guild of Organists. His best-known work, his book, The Art Song, (Norman: The University of Oklahoma Press, 1953) has been hailed for its simplicity, solid knowledge, and felicitous phrasing (Murphy).
In 1919, James Hall married Florence Belle Jenney (1878-l975; Mus B, 1907) who taught voice in the Oberlin Conservatory (1907-08; 1909-13; 1922-44). Their only child, James Truman Hall, (1920-1943; AB 1942) was killed in 1943 during a flight over the Pacific while serving as a Marine Dive Bomber.
James Husst Hall died in Oberlin on August 12, 1967. He left over 250 books and 500 scores plus an antiphon to the Conservatory. Family and friends established a memorial fund in his name, the income to be used by the Music History Department to acquire books and other special needs.
SOURCES CONSULTED:
Funeral will be today for James H. Hall, 77. Oberlin, Ohio News-Tribune. August 17, 1967.
“James H. Hall Memorial.” Progress. Fall, 1969.
James H. Hall: “Memorial Minute.” Oberlin Alumni Magazine. December 1967.
“James Husst Hall.” Typescript biography. 4 pages.
Oberlin College Biographical Form. October 1930.
“Professor James Hall of Oberlin Dies at 77.” Lorain, Ohio Journal. August 14, 1967.
“Rites Today in Oberlin for Prof. J. H. Hall.” Cleveland, Ohio, Plain Dealer. August 17, 1967.
Note written by Elizabeth Brinkman.
Extent
0.63 Linear Feet
Language of Materials
English
Method of Acquisition
The papers of James H. Hall were received in three lots. The correspondence (University of Oklahoma Press re: The Art Song) was accessioned on August 28, 1968. The music of James H. Hall and "Folk Song in America" by Florence Jenney Hall were received from the Oberlin College Library on March 11, 1985. The remainder of the materials was received from the Carnegie Library on December 14, 1978.
Accruals and Additions
Accessions: 60, 1978/43, 1985/9.
- Title
- James H. Hall Papers Finding Guide
- Author
- Chris Juhasz
- Date
- 09/01/2002
- Description rules
- Rules for Archival Description
- Language of description
- English
- Script of description
- Latin
Repository Details
Part of the Oberlin College Archives Repository
420 Mudd Center
148 West College Street
Oberlin OH 44074-1532 US
440-775-8014
440-775-8016 (Fax)
archive@oberlin.edu