Box 1

Consists of a copy of the Oberlin Community Players constitution, adopted 1953 and revised 1961, and the bylaws, 1976.

Consists of a copy of the Oberlin Community Players constitution, adopted 1953 and revised 1961, and the bylaws, 1976.

This series included copies of correspondence sent to members, a resignation letter of Board member Jim Schertz, and sample letterhead. A secretary’s notebook contains information about membership and committees, and minutes of meetings for 1976. Financial information is included in a file maintained by the Treasurer.

Includes minutes of Board meetings, membership, committees.

This series included copies of correspondence sent to members, a resignation letter of Board member Jim Schertz, and sample letterhead. A secretary’s notebook contains information about membership and committees, and minutes of meetings for 1976. Financial information is included in a file maintained by the Treasurer.

Consists of materials related to the productions performed by the Oberlin Community Players. Materials included Director’s notes, newspaper clippings, programs, photograph, scripts, and ticket sales and seating. The scripts are reprints of published works of various play writers (i.e., George Bernard Shaw, Liam O’Brien, and Oscar Wilde).

Consists of materials related to the productions performed by the Oberlin Community Players. Materials included Director’s notes, newspaper clippings, programs, photograph, scripts, and ticket sales and seating. The scripts are reprints of published works of various play writers (i.e., George Bernard Shaw, Liam O’Brien, and Oscar Wilde).

Consists of materials related to the productions performed by the Oberlin Community Players. Materials included Director’s notes, newspaper clippings, programs, photograph, scripts, and ticket sales and seating. The scripts are reprints of published works of various play writers (i.e., George Bernard Shaw, Liam O’Brien, and Oscar Wilde).

Consists of materials related to the productions performed by the Oberlin Community Players. Materials included Director’s notes, newspaper clippings, programs, photograph, scripts, and ticket sales and seating. The scripts are reprints of published works of various play writers (i.e., George Bernard Shaw, Liam O’Brien, and Oscar Wilde).

Scripts: Arms and the Man, reprint June 1959; Beggar's Opera, undated; My Three Angels, copyright 1952-1953; The Remarkable Mr. Pennypacker, copyright 1954; The King's Henchman, copyright 1926-1927; The Teahouse of the August Moon, copyright 1962, 1957; A Raisin in the Sun, copyright 1958-1959, printing March 1961; I'll Leave It to You, copyright 1920; The Importance of Being Earnest, undated; I Remember mama, copyright 1944-1945